Living Lines

KUKUMBA corporate design – e-commerce web design / for Kukumba, I designed an online store that radiates personality. The platform brings together handmade, one-of-a-kind everyday products from small makers – a charming alternative to mass production. The design combines a playful aesthetic, fresh color palette, clear structure, and witty hand-drawn illustrations to create a shopping experience full of charm, warmth, and character. / 2025 (hover on image)

KUKUMBA corporate design – stickers / to enhance Kukumba’s visual identity, I created a series of stickers. Featuring playful motifs, the illustrations add a humorous touch and emphasise the brand’s distinctive personality. / 2025

Corporate Design – IV Semester Project

The assignment was to develop a cohesive corporate design for a company, starting with a logo and expanding it into at least three applications.

I created the visual identity for a conceptual e-commerce brand, designing the logo, product label, website, and stickers. The main challenge was to give the brand a handmade, distinctive character while maintaining a modern and professional look.

Through chunky, rounded typography, playful hand-drawn illustrations, and bold colours, I built a brand personality that feels both approachable and memorable. This project strengthened my understanding of translating brand values into cohesive visual elements across different mediums.

TAMSIN GIFFORD CERAMICS – web design for a ceramic studio / the goal was to create a website that showcases the ceramicist’s professional artwork while also capturing the authentic and familiar atmosphere of the studio where the ceramic classes take place. www.tamsingifford.eu / 2023

THE DOUBLE LIFE OF VERONIQUE – infographic / 2025 (scroll horizontally to see it all)

CREATIVE TECHNIQUES

assignment

Over two semesters, the project explored the translation of a single film into multiple design formats.

context

The film - "The Double Life of Veronique" by Krzysztof Kieślowski was chosen for its poetic visual language and ambiguity.

approach

Rather than maintaining a consistent visual style, the focus was on reinterpreting the same motif in new and creative ways across different formats. Each outcome explores a different visual idea while remaining conceptually connected to the original film.

intention

The aim was to test the flexibility of a single motif and to explore how meaning shifts through changes in medium, form, and visual language.

HAMLET book cover / the illustrations were made using monotype printmaking technique, scanned and arranged in photoshop, text and elements were placed using indesign / 2024